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A magazine of forecasts, trends, and ideas about the future.
November-December  2001, Vol. 35, No. 6

Contents of the Current Issue

Back Issues

Online Indexes:
Author Index A-L
Author Index M-Z
Index of News Articles

Reprints/ Permissions

Writer's Guidelines

Send a Letter to the Editor

Top 10 Forecasts From Outlook 2002 Report

Current Forecasts

Special to Web visitors, here are a few of the editors' favorite forecasts from the November-December 2001 issue of The Futurist:

Evacuating tall buildings could be easier in the future thanks to vertical take-off rescue vehicles. Helicopter-like platforms that maneuver deftly into once-inaccessible places will rescue victims of fires, floods, earthquakes, and other disasters. (World Trends & Forecasts, Technology)

Sixty percent of the world's people will live in cities by 2030. Almost all population growth over the next three decades will take place in the cities of developing countries. By 2015, five cities will reach "megacity" status, supporting 20 million or more residents each: Tokyo, Bombay, Lagos, Dhaka, and São Paulo. (World Trends & Forecasts, Demography)

Homo sapiens could be obsolete by 2050. The twin threats of runaway technologies and overpopulation will result in rapid change so vast and so chaotic that opponents could resort to fundamentalist backlashes, with more terrorism ahead. (Richard Eckersley, "Doomsday Scenarios")

The "free-agent" workforce, characteristic of the U.S., will go increasingly global. Labor will flow freely around the world, as companies and countries become more linked and as telecommuting opens new opportunities around the globe. (John A. Challenger, "The Transformed Workplace")

Arts patrons will be able to experience culture around the world virtually. But such technologies could threaten the survival of institutions dependent on attendance. New sources of revenues will be sought to support museums, concert halls, and theaters, such as licensing virtual exhibits, pay-per-view broadband performances. (Terry Ray Hiller, "Coming Changes in Public Arts")


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