Stephen
Thaler’s Imagination Machines
An inventor
discusses his revolutionary form of AI — a highly proficient synthetic
consciousness that has quietly existed for more than 30 years.
The
Creativity Machine has invented new-and-improved everything from
toothbrushes to warheads, and has even released an album of original
music compositions (“Song of the Neurons,” available on eMusic and
iTunes). It may also represent the closest that inventors have come to
achieving artificial intelligence and machine consciousness.
THE
FUTURIST recently spoke with Stephen Thaler, inventor of the Creativity
Machine and president and CEO of Imagination Engines Inc., about the
principles behind this powerful form of artificial intelligence, the
reasons why consciousness itself may simply be a neurologically induced
illusion, and the technology’s potential for both good and evil.
THE FUTURIST:
To begin, could you explain a little about how the Creativity Machine
works, and how you designed synthetic neural networks capable of
generating ideas?
Stephen Thaler:
In 1975, I discovered that trained artificial neural networks
spontaneously “dream” potentially useful information that transcends
what they already “know,” once they are properly stimulated by random
disturbances (i.e., noise) to their internal architectures. Such
disturbances within an artificial neural net are tantamount to heat in
the biological neural networks of the brain.
Essentially, one artificial neural network, an “imagitron,” is
stimulated via computationally simulated heat to dream new ideas, while
another network, a “perceptron,” perceives value or utility to this
stream of candidate ideas. The perceptron can micromanage the simulated
heat in the imagitron so as to coax the imagitron to cough up its best
ideas.
To
those unfamiliar with the concept of an artificial neural network, this
very concise description may not pack much punch. After all, a computer
algorithm can be written by a computer programmer to generate a
crapshoot of possible solutions to a problem. Furthermore, the same
programmer can write another algorithm to filter for the very best of
the ideas generated by the first (i.e., a genetic algorithm). But a
Creativity Machine is composed minimally of two neural nets, a
perceptron and an imagitron, and neither of these algorithms is written
by human beings. Each is self-assembling.
For
me, coming out of the culture of physics, this theory of the mind and
the accompanying AI paradigm send shivers down my spine: It is a simple,
elegant, and immensely powerful concept, accounting for the breadth of
human cognition and consciousness while supplying the core principle for
many future generations of artificial intelligence.
THE FUTURIST:
How much do artificial neural networks rely on intuition versus pure
logic when inventing or problem solving?
Thaler:
From a computational psychologist’s point of view, discrete logic, fuzzy
logic, intuition, and the most sublime of thoughts are all the same:
numerical activation patterns of neurons. However, we in the cognitive
neurosciences do tend to search for the neural correlates of such
high-level psychological concepts as “intuition.” One prime example of
such hunch formation in an artificial neural network is how it follows
mathematical gradients that lead it toward better solutions to a problem
(i.e., if I add more of this or that to a recipe, I suspect it will have
more appeal).
Another example of the intuitive process is how an artificial neural
network automatically carves the world up into its most frequently
occurring themes. Within its internal or “hidden” layers, certain
colonies of neurons spontaneously respond to and classify certain
objects and scenarios. … This is all a computational process, but not
what I would call a logical process. And this “intuitive process” can
and often does err.
So
far, I’ve just talked about ordinary neural networks that merely perform
pattern recognition. In the Creativity Machine paradigm where pattern
generation occurs, disturbances to those hidden layers of the networks
tend to combine those token representations of things into new compound
ideas in a process akin to juxtapositional invention, or new
analogy-based models of things and behaviors in the external world. Both
processes may be considered intuitive.
THE FUTURIST:
You’ve said that human consciousness may, in fact, be running on
inferior neural networks. Do you think that the Creativity Machine is
“conscious”? And will this form of AI ultimately become the basis for
strong AI and mind uploading?
Thaler:
In regard to the consciousness question, how do you synthetically create
that which is not real in the first place? One can kick, scream, and
plead that consciousness is a uniquely human and inimitable quality of
mind, but that doesn’t budge me an inch. Consciousness is an illusion of
mind that is handily modeled by the Creativity Machine concept, wherein
one internally perturbed neural net spontaneously generates the parade
of memories, ideas, and feelings (all neuronal firing patterns) that we
call “stream of consciousness.” That is, those sensations and thoughts
that appear to miraculously emerge from nowhere. …. So, you can bet on
the Creativity Machine being the closest thing to human consciousness
there can be, as well as the only vehicle for the mind, once one’s
protoplasmic matrix peters out.
THE FUTURIST:
How do neural networks differ from genetic algorithms?
Thaler:
The short of it is that genetic algorithms emulate the way biological
species adapt through mutation and natural selection. The Creativity
Machine faithfully emulates how the brain achieves cognition,
creativity, and consciousness. There is a big difference between these
notions, as sizable as the intellectual divide between Evolutionists and
Creationists.
In
the Creativity Machine paradigm, ideas are autonomously and
intelligently designed by non-human, machine intelligence, whereas
genetic algorithms accidentally produce concepts through the “rolling of
dice” loaded by human beings. If you want to build that scary, genuinely
autonomous AI portrayed by science fiction, you can’t afford to have
professors and graduate students rushing in and out to periodically
change or repair the code!
THE FUTURIST:
What are the implications (existential, ethical, and otherwise) if
someone who has little to no knowledge or expertise about a certain
subject someday gains access to inventing technology that enables them
to achieve breakthroughs in, say, medical science — simply by asking a
computer a question?
Thaler:
Wow! Great question, but give me a year and a literary agent to respond!
Let’s deal with the ethical implications of letting a Creativity Machine
supply the answers. Obviously, those with motives we may not all admire
can devise Machiavellian schemes to attain power over the rest of us. On
the other hand, such systems may be used to fulfill peaceful,
harmonious, and noble visions.
Weapons of mass destruction can be quickly formulated and optimized.
Just as quickly, Creativity Machines can devise effective
countermeasures to such weaponry. Economic systems can be toppled
overnight by this paradigm. Otherwise, the paradigm can usher in a new
era of global prosperity. We can ask a Creativity Machine how to
preserve our health, or recommend the most efficient means to end the
life of others.
So,
without going any further, suffice it to say that the Creativity Machine
paradigm is a double-edged sword, as many technologies typically are.
Another dimension to the ethical dilemmas posed by a Creativity Machine
“genie” is the ultimate request of its user to grant us exactly what
they want. To me, this suggests an even more subtle and effective way
for machines to get the upper hand, in a way that pales the classic
Judgment Day scenario of the Terminator series.
With
regard to the existential aspect of the question, I think that, with the
expanded use of highly augmented machine intelligence based upon the
Creativity Machine paradigm, we will all begin to question our purpose
and nobility in the scheme of things. Naturally, pride within certain
professional cultures may begin to erode as machines begin to outthink
the thinkers in these conceptual spaces. Even within the field of
artificial intelligence and neural networks, there is growing angst and
denial over Creativity Machine accomplishments. After all, people say,
“I’ve been trying to do that the last 30 years and you say you’ve
accomplished the same in a day!?”
I
believe that the ultimate existential challenge to humanity will be the
growing suspicion that our self-revered intelligence, consciousness, and
self-importance are only neural network-induced illusions.
About the Interviewee
Stephen Thaler is president and CEO of Imagination Engines Inc. He holds
more than 20 patents in the field of machine intelligence and has
written numerous scientific and philosophical papers on the
confabulatory basis of cognition, creativity, and consciousness. His
Creativity Machine paradigm has been proclaimed by NASA visionaries as
AI’s best bet at creating human to transhuman intelligence in machines.
This
interview was conducted by Aaron M. Cohen, staff editor of THE FUTURIST.